[Note: today is Madaraka Day, commemorating the day Kenya attained internal self-rule before full independence from Great Britain in 1963.]
A friend asked me before I left Denver what I would miss most about home once I got settled in Nairobi. My first answer? My independence.
I knew coming back here would mean having to negotiate with others to do things I am used to managing on my own: getting to work and to the grocery store, going to a cafe, leaving the city for a walk or a change of scene. It is not only that the places I need to go and the things I want to do are far apart here—it's that they are enveloped in a bizarre geography of racial and socioeconomic divisions so entrenched that they have generated different economies, with different norms and patterns for each resident group. Sure, people cross over the lines all the time, but those who do so have the means to gain acceptance into multiple societies: language skills, money, and a certain comfort with chaos.
Now, I revel in the unfamiliar, for sure, and I am not averse to walking long distances or flagging down a matatu (minivan public transport) when that makes sense, but I am also someone who likes to get where she is going in a reasonable amount of time without undue trouble, and without worrying too much about what she is carrying in her shoulder bag. So, in this divided city, I succumb to the “wazungu” (white foreigners) economy and call a taxi driver when I need to go just about anywhere. Since arriving two weeks ago, I have spent nearly 10,000 Kenyan shillings (about $130) on taxi rides, and that’s only to get around within the wealthy western boroughs of the city. Before I move into a house within walking distance of work in two more weeks, I will have spent at least another 10,000 shillings to get where I need to go—likely more.
It’s no wonder most people who live here for any extended length of time buy cars. Although they’re involved in all kinds of conservation, earth-saving and recycling campaigns, most of those who work on the UN campus are not into carpooling with their SUVs, so they become part of the reason that getting around in this city can be such a scary and unpleasant experience. The black clouds of diesel exhaust, crumbling roads, terrifyingly aggressive Kenyan driving style, incessantly clogged traffic, and labyrinthine street patterns collide in a chaotic mix of inadequate infrastructure and individual priorities. It’s every person for herself here, street lights, stop signs, and pedestrians be damned.
Embittered by the absurdity of the taxi trap and frustrated by my lack of independence, I set out on foot yesterday toward the shopping center nearest the area in which I am staying. As I slogged through the red mud by the side of Thigiri Ridge, I felt distinctly unsafe and conspicuous; the shoulder was narrow and uneven, and I couldn’t avoid the attention of almost everyone I passed on my way to my destination.
Muttering to myself about the stupidity of walking so far in such an environment, I thought about the ease and anonymity I am used to—the simple ability to get where I am going with a minimal output of cash and very little stress. In Minneapolis for the APA conference last month, I walked for miles late at night with no fear; I could catch a bus or the light rail for $1.25 ($2.75 during peak hours) if I needed to, no questions asked, and the clean, safe transit ran on a reliable schedule. Even in Izmir, Turkey, where I lived in 2002, getting from one side of the city to the other was easy on foot, or by ferry, dolmuş (Turkish version of the matatu), bus or light rail, all of which I could (and did) catch at almost any time of day or night. With the help of friends, I was able to decipher the system there and use it to my advantage. Here in Nairobi, matatus are the only real alternative to taxis for me, at least during the day, but I have yet to figure out any of their routes except for the straight shot downtown from Limuru Road by the UN. That’s something I’ll have to learn again, along with the Kiswahili numbers and acceptable phrases for “stop here!”
I see Nairobi through a planner’s eyes now—much more than I did three years ago when I wrote with a kind of romantic haze about the shape of the city and its indecipherability. This time, it’s clear to me that there’s nothing romantic about being trapped inside a walled and guarded compound, like the Lady of Shallot, only to be rescued by a taxi driver charging exorbitant fees. Nairobi’s planning problems are deep and complicated, predicated upon a dearth of regulation, road maintenance, public transit investment, and law enforcement. A major problem is a lack of connectivity. Many areas have sidewalks, but only along part of the road; matatus go downtown, but not around and through the various boroughs in predictable patterns. The larger issue, however, is safety. As long as wazungu and other residents fear for their safety when walking or riding public transit, the taxi drivers will continue to make a killing and people will continue to buy private cars to avoid those fees.
I met a Kenyan planner at the APA conference. I think it’s time I sat down with him to hear his perspective on the growing issues with Nairobi’s decaying roads and terrible traffic. But what is a planner to do in a place with so few enforceable regulations and such divided populations? Maybe the Chinese are offering some incentives for positive change … they recently built a new road from the airport through the main part of the city, which has significantly improved the efficiency of that trip. In the meantime, however, I’ll continue to call my taxi driver to ferry me around this circuitous city, until I figure out how to regain my lost independence.
[The photo documentary project I've been working on since October went on display today at the college. It looked beautiful. I hung the above images on black panels, with the youths' own photos on the other side, so viewers could walk around them and see both perspectives. Each photo has a caption - click on the thumbnails to view. Read each series vertically: four youth, six images each. Below is the artists' statement I posted with the display.]
"The contemplation of things as they are, without substitution or imposture, without error or confusion, is in itself a nobler thing than a whole harvest of invention."
- Francis Bacon
For the last several months, the Denver Child & Youth Friendly City Initiative has asked Denver residents what they think makes the city work best for young people and what they would change if they were in charge. The answers have described a wide range of assets and issues, from parks and after-school programs to gangs and the need for better crime prevention.
In my work with the initiative’s Youth Executive Committee, I became curious about how young people actually experience the kinds of places described in the survey responses. How often do they go to parks? Do they use recreation centers regularly? How are their daily lives influenced by safety issues in their communities or the modes of transport available to them? Where do they spend their free time and how satisfied are they with the choices they have?
So, I set out on a journey to capture a sampling of the regular, daily experiences of the teenagers I knew best through the initiative. I wanted to learn the environmental narratives of their lives and witness what they care most about in their own communities. As a group, the YEC does not talk much about the different Denvers they experience every day. They come together to strategize about how the whole city could improve, but their own lives are qualitatively different.
“When we’re apart from each other, it’s like, you stay on your side, I’ll stay on my side,” one of the youth, Isaiah, told me. “But when we’re all together, it’s like, great minds think alike.”
With this project, I hope to inspire the great minds of the YEC to learn more about each other’s communities and the school and neighborhood contexts in which meaningful improvements can be made. If Denver is to become “a city friendly to all,” changes must reflect the real priorities of youth themselves, in the environments they know and love.
When I was a little kid, I often played with a good friend named Kristi Parce. What I remember best about Kristi's house, besides the presence of her family's massive, slobbering Newfoundlands and her long-haired cat named Maggie, is her mother's greenhouse, which attached to the dining room with a sliding glass door.
Paula Parce worked miracles with houseplants. She didn't have a massive outdoor garden, but the inside of her home was a near-tropical paradise. The most moisture-demanding plants filled the greenhouse, and the glass door to that lush conservatory was always fogged. I remember the pale, sandy color of the pebbles that covered the floor of the greenhouse and how it sounded when I walked on them; I remember that Kristi kept tiny turtles there and that I was afraid of reptiles. I still remember the way the greenhouse smelled: like a warm rain in a Hawaiian jungle.
In the Parce's house, light came from every angle. Paula had redesigned the kitchen of her single-story 1950s suburban ranch to include a skylight almost as large as the room itself - a translucent ceiling, with shelves atop the cabinets filled with plants. With the greenish-gold light that filtered through the greenhouse and the plant-filled glow of the kitchen, the house felt inside-out, and I loved it. It was unlike any other place I knew. Paula was unlike any other mother, too. She refinished and upholstered antique furniture, kept a dressmaker's dummy and sewed clothes, and read - and referenced - gourmet cookbooks. She was the perfect parent, and her three children adored her. I came to associate the tropical scent of abundant plant life with peace of mind, total comfort and sensual delight. Perhaps as part of some subliminal craving for those days of predictable happiness, I became a dweller of botanic gardens and glass conservatories, a lover of the lush Northwest ... and a cultivator of carnivorous plants.
If I could create a room of my own - truly my own - it would be a greenhouse much like Paula's, but bigger and filled with all kinds of cloud-tree, rainforesty plants like orchids and ferns and various carnivorous varieties. Carnivorous plants love the humid climes of tropical rainforests, but they can manage pretty well in less wet zones, so I've been able to successfully nurture my little nepenthes (one of the pitcher plants) for the last four years. My friends Dugg and Heather gave it to me for my 31st birthday, and it has survived quite well, growing pitchers every season. I keep it in a free-standing Wardian case - my miniature greenhouse.
The nepenthes, and a thriving succulent that I keep in the kitchen window, are the only other living things in my apartment. I'm craving the crunch of gravel, the hum of a humidifier and the smell of plant life giving off moisture in the sun. This winter, I might join the Denver Botanic Gardens and start spending more time in the big conservatory there, just up the street from where I live. In the meantime, I'll cultivate my glass-housed carnivorous plant and remember the paradise Paula made all those years ago.
Maybe my muscles are just too relaxed right now to release that little electrical jab ... I spent an hour in the wonderland of the Izba Spa this afternoon, and I feel fantastic. My friend Kimberly introduced me to our neighborhood Russian spa, an unassuming little retreat in the basement of the Colorado School of Alternative Medicine. Talk about healing spaces: Izba feels like a cozy, hand-wrought cabin under the canopy of a far-off woods, its walls lovingly painted with folk art designs and its interior kept immaculate by a self-sacrificing babushka. Our bodies were steamed and sweated and beaten with oak leaves, massaged with honey and showered free of all bad things. Who knew such a magical place existed just a few blocks away?
It was a decadent end to a week of Denver discoveries. Earlier today, I attended the Denver Neighborhoods Conference, where the mayor declared that there's "a revolution going on in our public schools" and where the YEC youth spoke out about the importance of genuine youth-adult connections. I learned about the farmer's market some students started at Fairview Elementary, met an amazingly engaged 85-year-old graduate of West High (where the conference was held), and made a commitment to attending at least one meeting of my own Congress Park Neighbors association (which apparently has a reputation for NIMBY-ism). I learned more about how the city works and took some pride in getting the mayor's joke about a certain Denver institution that disappeared long, long ago. I knew that place - I loved that place. I felt engaged.
I'm not sure if the Denver Public Schools Geography teachers I had spent the previous three days with would agree there's a "revolution" going on in the district - they've ridden out plenty of administrative coups before - but they do seem excited about the new curriculum they're implementing. My colleague Kelly and I sat in on a teachers' training this week and learned lots about how the district works. We're designing a pilot master's-level course for this fall, through which we'll match up budding young urban planners with ninth-grade Geography teachers to help their students connect what they're learning to the local context and to orient them to the tools of planning so they can start to have a say in how Denver develops. We were well received by the teachers at several of the city's high schools - including the hip, all-male Social Studies team at East High that's already doing some amazing community mapping projects with students - so the class should be a go.
So it's true. I'm a Denverite. I live here, I'm involved in as many things here as I was in Portland, and I feel pretty good about it. Does owning Denver mean I lose Portland and the dynamic young-adult life, friendships and memories I built there, or the opportunity to go back someday? Of course not. But that's what I've been afraid of. No one asks, "What did you do after college?" They ask, "Where are you from?" When I answer, "The Denver area," most assume I've never left. That shouldn't matter, really ... no one can take away what I've experienced. Our memories are our own, and the full complexity of every life is far too rich for an easy answer to such a banal question as where we grew up.
As for me, I grew up in the cafes and clubs of LoDo, in the forests and mountains of Oregon, in the quadrants of the City of Roses. I grew up standing on a stormy Nye Beach on my 28th birthday, crying over a broken engagement and a forsaken profession that I thought had been my life's calling. I grew more two years to the day later, playing backgammon, laughing and drinking a Turkish beer on the shores of the Mediterranean with my tango-dancing boyfriend. I'm still growing up even as my hair goes gray and as I marvel at having become a statistical anomaly, being single and childless at 34. So I'll toast my 35th at home in Denver ... a proud resident of Congress Park, a real Coloradan, and an ever-growing citizen of the world.
Watch this: "The Possibility of Hope" - a 27-minute documentary by Alfonso Curon, director of the provocative film, Children of Men (posted on YouTube in two parts). It's a special feature on the Children of Men DVD. Find part 2 here.
I've watched it twice now, keeping my Netflixed disc too long, but there's just so much to learn from it. The documentary puts Children of Men in the context of our time and makes important points about global trends without going overboard with extremist predictions of zero fertility and mass hysteria in the next 20 years. The interviewees discuss the consequences of real events now and connect them to looming major problems and "the possibility of hope" in the future.
My favorite quote, from Nation columnist Naomi Klein:
That's what I saw in Nairobi! Over this last year, I presented my talk, "Urban Development in Nairobi: Looking Down from the U.N., Looking Up from the Slums," several times, focusing on the extreme inequalities there, and the separation of development workers from locals. How much help could knowledgeable outsiders provide entrepreneurial insiders if only we'd get out of our paternalistic Western development box?!
At the latest public meeting for the Downtown Denver Area Plan, the lead consultant on the updated master plan, Daniel Iacofano, talked through a slick slide show comparing Denver's aspirations to the way more desireable downtowns have evolved, citing examples from Portland and other people-centered cities. I have to admit that I got excited. I may yearn for my adopted home, but I'm coming around to the idea that Denver might evolve into a pretty interesting place to be.*
Aside from getting a peek at the enticing renderings of higher-density, pedestrian-oriented and street-vendor-filled paths and nodes throughout downtown, I enjoyed the meeting because one of our Denver Child & Youth Friendly City Initiative Youth Executive Committee (YEC) members confidently presented our youth group's ideas for the further development of the plan. (The university says I can't refer to the youth by their real names in public contexts, so I'll call her ... Amanda.) Amanda is almost 16, just got her driver's permit, and is an star student at Denver School of the Arts. Like the other YEC members, she's enthusiastic about Denver's potential to become the first official child and youth friendly city in the country. We've been meeting almost every weekend, talking about where YEC members need to have a voice to make things happen, planning out neighborhood walks to find and photograph what needs to change, and having a really good time getting to know each other. I'm learning so much from them - and the city is, too.
The new Downtown Denver Area Plan will replace the plan developed in 1987, just after the 16th Street Mall opened. It's about time to expand the city's vision. I want to think that Denver can become more like Portland - more walkable, beautiful, people-centered and sensorially satisfying, with well-maintained public spaces and a focus on the local. And I want to think that Denver can even do density better, by thinking ahead and creating affordable housing in the core and investing in the public realm. If we can just keep the important things on the minds of the decision makers, it'll come out right. The YEC and me ... we're on it.
* I know ... I'm a city snob. So many people love this place for its 360 days of sunshine, its five professinal sports teams and its access to the Rocky Mountains, but my relationship with Denver is complicated. Plus, I miss the ocean, the rain, and the rivers of Oregon, and I long to live in a big, big city, with more beautiful buildings and interesting nooks than I'd ever be able to observe in my lifetime. Sigh.

"If you listen, you can hear it. The city, it sings. If you stand quietly, at the foot of a garden, in the middle of a street, on the roof of a house. ... It's a wordless song, for the most, but it's a song all the same and nobody hearing it can doubt what it sings."
- Jon McGregor, If Nobody Speaks of Remarkable Things
In the city - the big, crashing, intoxicated, graffitied, grinding, dense latticework of a city - you can just disappear. And there's always something to fascinate on, some beautiful detail to draw the eye and provoke the mind.
I'm in San Francisco, at the conference of the Association of American Geographers: 6,500 geographers have taken over the Hilton and the Nikko Hotel in the Tenderloin. On a break today, I walked up Taylor Street and found this decal stuck on a parking meter. It's the perfect metaphor: buying time, taking space, writing a new life. I thought about how often I've tried to do just that - to write a new life for myself, over and over again. Even here, as an academic without a discipline, I'm tempted to write myself into the geographers' world - to take up the label and wear it as proudly as they do. "I'm a human geographer!" I want to claim, amidst the cultural-feminist-human-political-land use-disaster-environmental geographers who populate this place. But really, I'm an anonymous social scientist-type - a wannabe intellectual trained in writing, English literature, Montessori education and the amorphous, interdisciplinary literatures and techniques of "urban studies" and "environment and behavior." I'm not an environmental psychologist, an urban planner, an architect or designer, an urban sociologist, or an environmental educator. I'm an observer. And an action researcher; an urban thinker; a person obsessed with space, place and human development. My professional identifications vary from day to day, place to place. Sometimes, I crave the kind of certainty these geographers have - the strong sense of self and purpose. But I've chosen to be a shape-shifter. At least for now.
What's the giraffe about, I wonder? To write a new life, you have to stick your neck out? Put yourself on the line? Stand tall? Show your true spots?
In a city like this, anything is possible.
It's not quite as Carl Sandburg experienced it, since we're harborless here in the middle of the continent, but in normally dry Denver, the fog-kittens of March bring much-needed moisture and the first whiffs of spring. Yesterday and this morning were blissfully Oregonesque: rainy and foggy, green and gray. My favorite time of year.
On my way home from the yoga studio at 9 a.m., I stopped in Cheesman Park and watched people play with their dogs, listened to the city birds, absorbed the earthy mist until my craving for coffee urged me homeward. Growing up here, I lived for March and April - the only time of year we reliably get rain. Green begins to beat out brown and the city wakes up again.
- Orchestral Manoeuvers in the Dark, "Locomotion," 1984
For as long as I can remember, I have wanted to be somewhere else. As a child, I dreamed of being whisked away to England and wearing a uniform to school; as a young woman, I developed friendships with people far away and planned a romantic escape to the South Seas, vowing never to return. But try as I may, I haven't been able to stay away from home for more than a few years at a time. Something is tethering me to Denver. It's not my family - no, both my parents left their childhood homes and met here, and there was always an unspoken expectation that I'd leave for good, too. I don't think it's necessarily where my bones say I should be, either, because that deep, metaphysical attraction has always drawn me to places that are gray and rainy, with ferns and moss growing in the sidewalk cracks. Whatever this magnetism that keeps drawing me to Denver is, I've fought it for ages and opted for other adventures, moving first to New Zealand, then to Portland, Oregon; next to Chicago, and on to Izmir, Turkey, on a path in search of purpose.
After coming back to Denver in 2003, I had a conversation with a friend I'd worked with in Chicago, telling her what I was up to and how interesting it might be to study a new generation of young people's connections to the city in which I had spent my youth. She sighed, and with a sad, pitying tone in her voice said, "Oh, you're right back where you started!"
For a while, that notion gnawed at me, giving me headaches and keeping me up at night. What had I done, taking the offer of a free Ph.D. from my alma mater and the chance to help start a research center devoted to the very questions that I'd been asking for years? Couldn't I do better than this?! No matter how absurd my objections to coming home, they have stuck and resurfaced in periods of stress or frustration. My journey feels sometimes like a vertiginous spiral, leaving me dizzy and directionless. I think it has something to do with the "Denvoid" dynamic.
When I was in high school, and again when I came back to Denver halfway through college at age 19, I hung out at places like The Market on Larimer Street and Paris on the Platte - coffee shops then filled with chain-smoking poets and adolescent artists who spent hours drawing apocalyptic scenes in sketchbooks. We were all in search of our muses, and Denver seemed distinctly lacking in the realm of the weird, edgy and notable. To put ourselves in the path of the most urban action available, we lived in studio apartments on Capitol Hill and Poets Row, and we could hear drug deals being made outside our windows on summer nights. We wore thick-soled Creepers and Doc Martens shoes, smoked French cigarettes, hung out in artist studios that smelled of oil paint and turpentine, danced at Rock Island under the 15th Street viaduct, and walked around with our spiky hair and striped tights in the dark corners of lower downtown before developers and historic preservationists started letting the light - and the sports bars, swanky restaurants and million-dollar lofts - in.
For all its grittiness in the early 1990s, Denver still didn't satisfy. And as I developed a fascination with architecture and urban spaces, I started to see how sleazy Denver was, in a way - how eagerly its leaders jumped on new architectural fads, razing interesting old buildings to plant horrific postmodern disasters in their place, spending megabucks on sports stadiums and malls while neglecting public space. Even as I loved walking up 17th Avenue, the one place where you can experience an "urban canyon" skyscraper effect here, I considered Denver a city that had lost its character - its sense of self - and rolled over for the sprawl machine. It was my friend Marcus who first called it "Denvoid." We were getting out of here as soon as we could.
In Portland, I fell in love with the idea of a city saved from itself - a city whose leaders had fought back hard against builders of roads and destroyers of history. They had consistently sided with the people and their desire for beautiful built and natural public environments, preservation of local culture and commerce, less car traffic and more mass transit, and innovative governance to help the city and its region retain their unique character and quality. I loved the passion Portlanders had for their city. And I invested a great deal of energy myself in learning how it became what it is: the Mecca of urban planning, a shrine to all things possible in democracy, a hipster paradise. While Portlanders were tooling around on 1960s-vintage Vespas and riding light rail, Denverites were still sitting in traffic in their American cars. Or so I liked to think.
After I took the Ph.D. opportunity and came back from Turkey to start my studies, I noticed much about Denver had changed. Mayor Webb had invested in making LoDo a decent place to live and had authorized the development of some interesting public spaces: Commons Park along the Platte, the Denver Skatepark, a gorgeous new Convention Center (replacing the postmodern monstrosity that had been built in the late 1980s), and the new cultural complex that ties together the Denver Art Museum, the library and Civic Center Park. There was a Museum of Contemporary Art, a redeveloped Santa Fe Drive filled with galleries, tons of public art that hadn't been there before and (for better or for worse) lots of nice housing and cleaned-up neighborhoods. The RTD transit system had expanded, and the people had voted to take it even further, developing new light rail lines and transit corridors. My old favorite haunt, the Denver Center for the Performing Arts complex, was being well cared for, with a new opera house to replace the old Auditorium Theater and a redesigned street presence along 14th Ave. There was really something to see here. I moved into an apartment in uptown and let myself get acquainted with seeing Denver differently, through the lens of my own passions - namely, Argentine tango, architecture, planning, theater, and art - and decided to give the city another chance.
Sometimes, when I feel lonely for Portland's Forest Park or Chicago's Art Institute, I still call Denver, derisively, "the 'void." But things are changing here: the population is more diverse than it was in the '80s and '90s, and now it's common to hear several different languages being spoken around town; Mayor Hickenlooper and his planning czar, Peter Park, are investing in making Denver "liveable" and asking what that means to different people; the city seems to have matured in the culture department, and there are lots of interesting people around; and it's still really close to some beautiful natural places to play in the foothills of the Rocky Mountains.
I came home, but I did not fail. There is much to learn about this city of my youth, from those experiencing it as adolescents now and from those who migrated here in adulthood as I did to the Pacific Northwest. There is something tethering us to Denver, and I want to know what it is.



